Sometimes I set out to write a blog post and I get just a little too warmed up. I write three single-spaced pages even though I know halfway through it isn’t appropriate for my audience and I’m not going to actually post it. It’s kind of a shame that I feel the need to censor myself to this degree, but it’s probably a wise move for the public sphere. Maybe if I were an established writer who could say whatever the hell he wanted without fear of repercussions, it would be different. But alas, I’m not, and, anyway, it’s not. Ask Salman Rushdie.
So here’s your censored version.
I went to a museum today: the Chiang Mai City Art and Cultural Center. In a word, it was lame. For all the bells and whistles of modern museums, and this old bourgeois prejudice that they somehow preserve culture for future generations and are therefore important, I think I idealize museums mostly because of Indiana Jones. You know, the way he would yell at those Nazis, with such fervor, “This belongs in a museum!”
Three Kings Monument outside Chiang Mai City Art and Cultural Center
So I guess I was expecting entire rooms of glass exhibits, each filled with artifacts from Chiang Mai’s rich past. I don’t know… golden buddhas, jade pottery, weapons and armor from every historical period of the past millennium. At least some prehistoric shit – spears, slings, bows, rock tools. I saw a few paintings of tribesmen hunting with crossbows.
“Show me the f**king crossbows!” I felt like yelling at the one guide I saw, wanting to shake her by the shoulders. “Why the hell did they make crossbows instead of regular old bows in 3,000 BC? Or is this just another goddamn anachronism you thought the tourists wouldn’t catch, like the Danielle Steel paperback in the stack of moldering books in that ‘artisan’s dwelling’ that’s supposedly from the 19th century? Where are the swords and the spears? Where are the crumbling manuscripts, the golden buddhas? I want a f**king animatronic suit of armor that lectures me on Thai warfare! I want to see rubies the size of my fist and mummified heads cursed by hilltribe shamans!”
It wouldn’t have done any good, of course. That one tour guide was Japanese, anyway.
The point is, I saw maybe four artifacts in the whole museum: some broken pieces of clay pottery and an equally dull clay bracelet. Everything else consisted of signs in poorly translated English and video presentations I couldn’t bear to subject myself to. Once I punched the big red knob marked “Spanish” just to annoy the tour group behind me. The loud, grainy audio track of an anonymous Spaniard echoed behind me as I moved slowly forward, feigning interest in a cheap diorama of peasants constructing a house. In fact, if you’re into cheesy dioramas you can disregard the rest of my criticisms, because the Chiang Mai City Art and Cultural Center will not let you down.
Five-inch plastic elephants ... how cute! How educational!
This one really got me. So this enormous diorama, which takes up half the room, is supposed to illustrate that the hilltribes live... in the hills?
I want to share this painting of the king of Thailand, but I’m afraid to express any opinion on it for fear of being imprisoned for 20 years.
No comment.
This, in a nutshell, was my cultural outing for the afternoon.
Freshly cultured, I wandered out into a street full of vendors unpacking wares and setting up shop for the Sunday Market.
Inside the temple, people pay their respects.
Outside the temple, salesmen sell lingerie.
I ducked into a restaurant, one of those Thai places where the staff always seems dismayed to have a foreigner walk in. I don’t know if I was wearing that piss-ant tourist smile or if they were just irritated at me for interrupting their TV show. It was some kind of talent show and I could see why they preferred watching it to frying my pork.
First I watched a guy contort himself into all kinds of grotesque positions. This climaxed with him standing all the way up on one leg, his other one wrapped completely around his neck. He could have picked his nose with his pinky toe. (If I were his manager, I would have insisted on this as a finale.) Next I watched a guy shoot the flame off a candle with an assault rifle. One shot, and it hit only the wick.
Now this is culture, I thought. Almost as good as the Thai soap operas, of which I’ll have to post videos in a later post.
After that, I pulled out The Man Who Was Thursday and read it through to its disappointing conclusion. It was an amusing read, overall, but it started off with much more promise than it ended with. There were several jarring indicators throughout that Chesterton was shuffling between reality and un-reality, and which I suppose were meant to tie it all together. It simply didn’t work for me, though. The story hooked me early on for its absurdity and wit. The two, when carefully balanced, are a joy to read. As the novel progressed, however, the absurdity outstripped the wit until the whole thing ran far ahead of itself. Finally, desperate and out of tricks, it let out a gasp and transformed into a heavy-handed morality tale, then collapsed altogether. Gregory returning at the final banquet, in particular, set my teeth on edge. I found the paltry attempts at allegory almost as insulting as when I re-read The Lion, the Witch, and the Wardrobe in high school. Even more infuriating was the kind of half-assed existentialism underlying the whole final scene. Chesterton wrote elsewhere that he was trying to capture…
…that world of wild doubt and despair which the pessimists were generally describing at that date, with just a gleam of hope in some double meaning of the doubt, which even the pessimists felt in some fitful fashion.
If he was trying to characterize that world and write from its point of view, I can say that he was as unsuccessful as his undercover detectives were in portraying themselves as anarchists.
Anyway, enough literary nonsense. (I’m thinking such passages should get posted separately as book reviews, from now on.) By the time I emerged from the restaurant, having satisfactorily abused Chesterton in my journal, the Sunday Market was in full swing. What had been half-constructed stalls and sealed ice chests an hour or so before was now a bona fide market, complete with jostling tourists and pushy merchants.
The market gets underway in Old Town.
In something of a daze, I bought a chocolate waffle with cashew nuts. I had to wait a minute or so to receive my change, much less eat my fat-rations, because the national anthem started blasting over a tinny loudspeaker at that very moment. Everyone, even the most oblivious, drunken farang, stopped in their tracks to stare, zombie-like, in the general direction of the noise. The whole scene reminded me of a DVD skipping, covered by a short interlude in which your drunk grandpa plays old military records on his phonograph. The anthem ended and the DVD resumed its forward progress. The waffle lady dropped two coins into my hand and everyone returned to life.
I pushed through the crowd to a nearby bookstore and exchanged my copy of Chesterton for Cat’s Cradle by Kurt Vonnegut. I’ve been binging on some videos of him on YouTube. I might post one in which he graphs the shape of every story known to man. It takes him about two minutes and it’s hilarious.
On my way back through the market, I paused here and there to take some pictures. I’ve been slacking in the photo department, so you’ll find a few more paltry attempts scattered throughout this post. I stumbled upon a packed out Wat which I found really fascinating. The market just outside it was full-on, but inside the temple, the lay service was just as rocking. I don’t mean rocking rocking, obviously, and thank God, not rocking like one of those corporate mega churches back home. A crowd of people was chanting together and bowing before an enormous golden Buddha statue. The light reflected off the gold detailing and suffused the entire temple with the kind of glow you have to call, however grudgingly, heavenly. You could feel the peacefulness of the atmosphere inside. Super high vibrational, brah.
Chanting: laypeople in back, monks in front
After that, I made my way to the edge of the madness and recruited a songthaew home. It was the first day in a while that I spent entirely away from my apartment. So now I am back, writing this post far later than I usually do. I hope I can stay awake long enough to post some photos.